maa-ae nee kinoohn aakhaahn - part ii
as committed earlier, an excerpt from "Masterworks of Punjabi Sufi Poetry - Shah Hussain Within Reach" by Muzaffar A. Ghaffar. brief edited commentary that might be helpful to the readers
maa-ae nee kinoohn aakhaahn
dard vichoray da haal
dukhan dhu-ain shaahaan waalae,
jaahn phoolaan taan laal
maa'ae nee kinoohn aakhaahn
dard vichoray da haal
soolaahn maar deevaani keetee
birhoohn pya khyaal
maa'ae nee kinoohn aakhaahn
dard vichoray da haal
dukhaahn dee rootee, soolaahn da laavaan,
haddaan da baalarn baal
maa'ae nee kinoohn aakhaahn
dard vichoray da haal
jungle bayla phiray dhoondaydee,
na mileya maheehnval
maa'ae nee kinoohn aakhaahn
dard vichoray da haal
kahay hussain faqeer nimarna,
milay taahn thayvaahn nayhaal
maa'ae nee kinoohn aakhaahn
dard vichoray da haal
(*)
translation
o mamma ! who can i tell, this state of separation-pain
fires of faqueers smoulder, wherever i rummage ruby-red gain
o mamma ! who can i tell, this state of separation-pain
thorns pierce, make me mad, separation my mind's refrain
o mamma ! who can i tell, this state of separation-pain
bread of pain, curry of thorns, from burning bones fire obtain
o mamma ! who can i tell, this state of separation-pain
jungles, moors she roams in search, yet not found the swain
o mamma ! who can i tell, this state of separation-pain
says hussain the destitute devotee, if he's found, joy i'd attain
o mamma ! who can i tell, this state of separation-pain
commentary
the kaafi comes to us with some alternates in several lines. The first line begins with a desperate situation which every one of us experiences periodically – where there is no one to open your hearts to.
the use of the word maa’ae (o mamma) is an invocation expressing anguish, at the same time addressing the mother with intimacy. The sense of loneliness and being isolated
And sometimes, as here, when what is so very important to us would not be understood, or be mocked at, or related to unimportance. Often this may happen because the other person does not know how to deal with such a revelation.
what is the preoccupation of our poet with pain-separation? Most punjabi tales are spun around this feeling. This is central in Heer, Sohni-Mahinwal, Sassi-Punno.
The word "haal" has two other major meanings other than "state or condition". A common meaning of haal is "the present". This is also the workd for the present tense in Punjabi. Perhaps the poet is referring to an intense episode in a perennial feeling. And there seeems to be no one to relate it to. So "mamma" is invoked.
The other meaning of haal is frenzy. Or physical and spiritual ecstacy. The thought that ecstacy is also present in pain-separation seems to be inherent in the line. And that can certainly not be related to another. This reasing makes the lines ecsstatis rather than despondent. Indeed the word "keehnuun" now does not read as the non-availability of someone to tell, but as "who all to tell". Now the line also becomes a communication with the beloved mamma.
(*) post-script (naveed) - arabic/shahmukhi script that i have pasted without permission from apnaorg has verses that differ slightly from the book from which i have taken the above excerpts (that too, sadly without permission) :)
...the apnaorg version has more verses; however the basic essence is given above should someone want to delve into it a little deeper
